During my stay at Chennai, I requested K Ramesh, an eminent World Haijin from India, to offer me an opportunity to listen to his haiku journey and also to his suggestions for the newborn crying out loud to capture those day-after-day haiku moments into its true form. He readily accepted to my request and then we met for the first meal at a restaurant in Adyar to discuss Haiku.
RA: Please tell me about your entry into the haiku verse at the world stage? When you started to write Haiku, who were the prominent English writing haiku poets in India?
KR: Internet played a major role in introducing me to what was happening in the haiku world. In the year 2000, I started looking for information regarding haiku journals and also opened an email account to send my works to the editors of haiku magazines. . My first haiku got published in Still, edited by Ai Li. Angelee Deodhar, R K Singh and Johannes Manjrekar were the prominent English writing haiku poets in India at that time.
RA: I notice that each of the haiku journals of different countries is endorsing different sets of rules for Haiku? What is your opinion about it and how do you get adjusted to it?
KR: An evocative haiku resonates in the editor’s and reader’s mind.. If poets go by the strict rules of a particular journal, over time, they may get lost with the journal’s exit. So, it is important for a haiku poet, to focus on factors such as depth of perception, juxtaposition of images and clarity of expression. Another crucial point that we need to keep in mind is the fact that haiku works on the principle of ‘showing not telling’.
RA: How do you start to frame a Haiku? Do you complete the haiku in your mind and pen it or will you play around with your essence on the paper before finalising it? It is very popular now to choose a kigo from the world kigo database or from Willian J Higginson’s The Haiku Handbook to juxtapose the human event with the nature event. What is your opinion?
KR: If all our senses are open and if we are not preoccupied with thinking, we become aware of what’s happening around us.. We are in a state to observe a haiku moment .It begins with a mild surprise. There is certain recognition. After this stage, we compose a haiku by juxtaposing images.
I feel it is good to be familiar with the kigo of different seasons. However, the Aha moment which the natural environment we are in, offers us a relevant kigo.
cool evening –
a fish nudges a pebble
in the aquarium
fading evening light
small glow of a lamp
up in the mountain
(First Published By Tiny Words)
RA: Who are your favourtie haiku poets?
KR: I keep in touch with the works of Japanese haiku poets such as Basho, Buson, Shiki and other haiku masters .. I also read the poems of contemporary poets that appear both in print and online magazines I don’t think on the line of “favourite haiku poets”. But I have a number of haiku that are my favourites.
RA: Other than haiku, what other forms of poetry do you write? What is your advice for a poet like me who writes only haiku?
KR: I don’t write senryu separately though some of my haiku may qualify as a senryu., I also enjoy writing Tanka. It gives me the freedom for philosophical and emotional expression it offers through its 5 lines. I do write free verse to share my feelings as a response to what I observe in our society.
searching for coins
in my pocket-
red seeds
collected by
my little daughter
First Published By American Tanka
As far as suggestions ar concerned, I feel focusing on a particular form until one gets a clear sense of its nuances is essential before venturing into other forms of poetry. Our practice of writing haiku, I feel, will have a positive influence on the manner in which we write any other genre of poetry!
RA: I notice that some of your haiku don’t strictly fit into 5/7/5 or L/S/L or S/L/S syllables categories. For e.g. take below haiku, they have 7 syllables in the phrase of 1st haiku and 6 syllables in the fragment of IInd haiku respectively.
starlit sky –
I touch a turtle
before it enters the sea
First Published By The Heron’s Nest
sunrise…
I let the fish
bite my toes
First Published By Tiny Words
KR: Yes. As I stated before, I don’t consciously adjust the syllables count. It is very important for a haiku poet to present the haiku with its original essence than formatting the verse according to the syllables count by compromising with the essence of the Ku. However, one has to remember that economy of expression and choice of words are crucial factors that we have to keep in mind while composing a haiku.
RA: Of late haiku has been written deliberately in a philosophical style and if I am right you have not written similar haiku until now. For eg, winter kigos like winter stars and winter loneliness is being associated with philosophical theme.
KR: Using a winter kigo is fine if our attempt is to create a mood which is associated with loneliness. A good haiku is mutli-layered. Our attempt is not to convey a philosophical idea deliberately. . It is our perception of a haiku moment followed by the juxtaposition of apt images that create a certain depth in our haiku.
RA: What are the journals you recommend for the haiku learners to read regularly?
KR : I have benefited from reading these magazines: The Heron’s Nest, Presence, Modern Haiku, Bottle Rockets, Frog pond, Mayfly, Mainichi Daily News’, Shamrock, Simply Haiku, Magna Poets, Paper wasp and Road Runner.
RA: I notice that you have down sized your publications, both Haiku and Tanka recently. Is my observation correct and any reason for it?
KR : Yes, you are right. Even though I continue to write haiku and other forms of poetry, I am not submitting them regularly as I used to do earlier. And also right now, I live in a place where the Internet connection is not so good.
RA: These are my all time favorite from the list of your published haiku available online that present images so close to heart especially for a person like me born and brought up in Kumbakonam, Tamilnadu.
With this, I thank you once again for accepting my invitation to listen to your haiku way of life. This day will add to my list of most memorable events of my life.
spring morning…
balloons cover
the vendor’s face
soap bubbles
from a children’s park
break a traffic rule
First Published By Haijinx
scent of dry leaves…
two seeds stuck on
the bath towel
First Published By Simply Haiku
village in the hills
a monkey looks into
the bike’s mirror
First Published By Frogpond
KR: Thank you for the dialogue. Your questions have made me reflect on haiku and its significance. I wish you all the best in your haiku journey.
RA: Please tell me about your entry into the haiku verse at the world stage? When you started to write Haiku, who were the prominent English writing haiku poets in India?
KR: Internet played a major role in introducing me to what was happening in the haiku world. In the year 2000, I started looking for information regarding haiku journals and also opened an email account to send my works to the editors of haiku magazines. . My first haiku got published in Still, edited by Ai Li. Angelee Deodhar, R K Singh and Johannes Manjrekar were the prominent English writing haiku poets in India at that time.
RA: I notice that each of the haiku journals of different countries is endorsing different sets of rules for Haiku? What is your opinion about it and how do you get adjusted to it?
KR: An evocative haiku resonates in the editor’s and reader’s mind.. If poets go by the strict rules of a particular journal, over time, they may get lost with the journal’s exit. So, it is important for a haiku poet, to focus on factors such as depth of perception, juxtaposition of images and clarity of expression. Another crucial point that we need to keep in mind is the fact that haiku works on the principle of ‘showing not telling’.
RA: How do you start to frame a Haiku? Do you complete the haiku in your mind and pen it or will you play around with your essence on the paper before finalising it? It is very popular now to choose a kigo from the world kigo database or from Willian J Higginson’s The Haiku Handbook to juxtapose the human event with the nature event. What is your opinion?
KR: If all our senses are open and if we are not preoccupied with thinking, we become aware of what’s happening around us.. We are in a state to observe a haiku moment .It begins with a mild surprise. There is certain recognition. After this stage, we compose a haiku by juxtaposing images.
I feel it is good to be familiar with the kigo of different seasons. However, the Aha moment which the natural environment we are in, offers us a relevant kigo.
cool evening –
a fish nudges a pebble
in the aquarium
fading evening light
small glow of a lamp
up in the mountain
(First Published By Tiny Words)
RA: Who are your favourtie haiku poets?
KR: I keep in touch with the works of Japanese haiku poets such as Basho, Buson, Shiki and other haiku masters .. I also read the poems of contemporary poets that appear both in print and online magazines I don’t think on the line of “favourite haiku poets”. But I have a number of haiku that are my favourites.
RA: Other than haiku, what other forms of poetry do you write? What is your advice for a poet like me who writes only haiku?
KR: I don’t write senryu separately though some of my haiku may qualify as a senryu., I also enjoy writing Tanka. It gives me the freedom for philosophical and emotional expression it offers through its 5 lines. I do write free verse to share my feelings as a response to what I observe in our society.
searching for coins
in my pocket-
red seeds
collected by
my little daughter
First Published By American Tanka
As far as suggestions ar concerned, I feel focusing on a particular form until one gets a clear sense of its nuances is essential before venturing into other forms of poetry. Our practice of writing haiku, I feel, will have a positive influence on the manner in which we write any other genre of poetry!
RA: I notice that some of your haiku don’t strictly fit into 5/7/5 or L/S/L or S/L/S syllables categories. For e.g. take below haiku, they have 7 syllables in the phrase of 1st haiku and 6 syllables in the fragment of IInd haiku respectively.
starlit sky –
I touch a turtle
before it enters the sea
First Published By The Heron’s Nest
sunrise…
I let the fish
bite my toes
First Published By Tiny Words
KR: Yes. As I stated before, I don’t consciously adjust the syllables count. It is very important for a haiku poet to present the haiku with its original essence than formatting the verse according to the syllables count by compromising with the essence of the Ku. However, one has to remember that economy of expression and choice of words are crucial factors that we have to keep in mind while composing a haiku.
RA: Of late haiku has been written deliberately in a philosophical style and if I am right you have not written similar haiku until now. For eg, winter kigos like winter stars and winter loneliness is being associated with philosophical theme.
KR: Using a winter kigo is fine if our attempt is to create a mood which is associated with loneliness. A good haiku is mutli-layered. Our attempt is not to convey a philosophical idea deliberately. . It is our perception of a haiku moment followed by the juxtaposition of apt images that create a certain depth in our haiku.
RA: What are the journals you recommend for the haiku learners to read regularly?
KR : I have benefited from reading these magazines: The Heron’s Nest, Presence, Modern Haiku, Bottle Rockets, Frog pond, Mayfly, Mainichi Daily News’, Shamrock, Simply Haiku, Magna Poets, Paper wasp and Road Runner.
RA: I notice that you have down sized your publications, both Haiku and Tanka recently. Is my observation correct and any reason for it?
KR : Yes, you are right. Even though I continue to write haiku and other forms of poetry, I am not submitting them regularly as I used to do earlier. And also right now, I live in a place where the Internet connection is not so good.
RA: These are my all time favorite from the list of your published haiku available online that present images so close to heart especially for a person like me born and brought up in Kumbakonam, Tamilnadu.
With this, I thank you once again for accepting my invitation to listen to your haiku way of life. This day will add to my list of most memorable events of my life.
spring morning…
balloons cover
the vendor’s face
soap bubbles
from a children’s park
break a traffic rule
First Published By Haijinx
scent of dry leaves…
two seeds stuck on
the bath towel
First Published By Simply Haiku
village in the hills
a monkey looks into
the bike’s mirror
First Published By Frogpond
KR: Thank you for the dialogue. Your questions have made me reflect on haiku and its significance. I wish you all the best in your haiku journey.
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